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Forced Orgasm

A forced orgasm is a form of orgasm control where the active partner sexually stimulates a submissive partner to the point of the submissives involuntary orgasm, with the submissive attempting to restrain the onset of orgasm. In BDSM or other sexual role-play, the submissive partner can be put in physical restraints, to enable the active partner to control the rate and duration of stimulation. The active partner can continue sexual stimulation after the submissives orgasm to achieve multiple orgasms. This may cause considerable discomfort to the submissive due to the sensitivity of the genitals. However part of the arousal of the submissive is that after each orgasm they undergo this period of discomfort knowing that pleasure will come shortly after. Part of the attraction of forced orgasms is that the submissive has no control over when and how they will be brought to orgasm. An involuntary orgasm which happens as the result of forced sexual contact, such as during rape or sexual assault, can often be associated with feelings of shame caused by internalization of victim-blaming attitudes. The incidence of those who experience unsolicited sexual contact and experience orgasm is very low, though possibly under-reported due to shame or embarrassment. Involuntary orgasms can happen regardless of gender.

Bottom

In BDSM, a bottom or submissive is the partner in a BDSM relationship or a BDSM scene who takes the passive, receiving, or obedient role, to that of the top or dominant. A bottom can, for example, be subject to acts such as flogging, servitude or humiliation and can be physically restrained by bondage, which can itself be painful. A person who submits control of a large percentage of their day-to-day life to a dominant partner, or who submits within a formal set of rules and rituals is sometimes referred to as a slave to that of the master or mistress. The behaviors of bottoms and submissives are similar, and in many cases overlap. For this reason, the terms are used interchangeably in some discussions, although there are differences between the two. Behaviors of submissives and bottoms often overlap, with the bottom also being submissive, but this is not always the case. Someone who is topping may be doing so at the request, or even the direction, of the bottom partners. In such a case, the dominants function would reside with the bottoms. Tops that act within this kind of relationship dynamic are sometimes called a service tops. A bottom that has dominance over the activities or the relationship is said to be topping from the bottom, even though they are really expressing dominance from the bottom. Within communities of lifestyle BDSM devotees, there exists a widespread prejudice against both service tops and bottoms that top from the bottom. Both are considered by many to be failing to achieve a proper BDSM relationship dynamic – especially if the partners are purported to be trying to achieve dominant-top/submissive-bottom relationship. Bottoms or submissives that are also comfortable assuming a top or dominant role are referred to as switches.

Erotic Asphyxiation

Erotic asphyxiation or breath control play is the intentional restriction of oxygen to the brain for sexual arousal. The sexual preference for that behavior is variously called asphyxiophilia, autoerotic asphyxia, hypoxyphilia. Colloquially, a person engaging in the activity is sometimes called a gasper. The erotic interest in asphyxiation is classified as a paraphilia in the Diagnostic and Statistical Manual of the American Psychiatric Association. The carotid arteries on either side of the neck carry oxygen-rich blood from the heart to the brain. When these are compressed, as in strangulation or hanging, the sudden loss of oxygen to the brain and the accumulation of carbon dioxide can increase feelings of giddiness, light-headness, and pleasure, all of which will heighten masturbatory sensations. Various methods are used to achieve the level of oxygen depletion needed, such as a hanging, suffocation with a plastic bag over the head, self-strangulation such as with a ligature, gas or volatile solvents, chest compression, or some combination of these. Sometimes, complicated devices are used to produce the desired effects. The practice can be dangerous even if performed with care and has resulted in a significant number of accidental deaths.

Dominance and Submission

Dominance and submission also called D&s, Ds, and D/s is a set of behaviors, customs and rituals involving the giving by one individual to another individual of control over them in an erotic episode or as a lifestyle. Physical contact is not a necessity, and it can even be conducted anonymously over the telephone, email or other messaging system. In other cases, it can be intensely physical, sometimes traversing into sadomasochism. In D/s, both parties take pleasure or erotic enjoyment from either dominating or being dominated. Those who take the superior position are called dominants, doms male or dommes female, while those who take the subordinate position are called submissives or subs male or female. A switch is an individual who plays in either role. Two switches together may negotiate and exchange roles several times in a session. Dominatrix is a term usually reserved for a female professional dominant who dominates others for pay. Dominance and submission, and the inner conflict and surrender connected with these are enduring themes in human culture and civilization. In human sexuality this has broadened to include mutual exploration of roles, emotions and activities which would be difficult or impossible to do without a willing partner taking an opposing role. While D/s can deal with representations of brutality and cruelty, and the emotional responses to them, adherents are quick to point out that D/s is not about acts of brutality and cruelty. It is a consensual power exchange between the two partners and need not involve any brutality such as corporal punishment or cruelty verbal or emotional abuse at all. It is primarily based upon trust and communication between the partners. It is also based on a deep ethos of mutual respect in which exploration of the emotions brought up by power exchange can occur in a safe, sane and consensual manner, which can facilitate personal growth. A safe word is usually given to the submissive partner to prevent the dominant from overstepping physical and emotional boundaries. The safe word is especially important when engaging in verbal humiliation or playing mind-games because the submissive may not be aware of an emotional boundary until it is crossed. If an emotional boundary is breached and the safe word called, the dominant should cease all play immediately and discuss the emotional breach with the submissive in a tender and understanding manner. Negotiating limits in advance is also an important element in a D/s relationship. D/s may be ritualized or freeform. It is usually a negotiated lifestyle, with people discussing their wishes, limits and needs in order to find commonality. A D/s relationship may be sexual or non-sexual, long or short term, and intimate or anonymous. Most adherents search for the essential intensity, trust and intimacy that are required to make any deep relationship possible.

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Acting

To find out more about becoming an actor, or more about the possibility of furthering your career as an actor, visit acting and find out all the necessary information. A person in theatre, film, or any other storytelling medium, who tells a story, is considered to be an actor. Stories can be told by portraying a character and, usually, speaking or singing the written text or play. To be an actor, one must be able to play characters in different settings and genres. Well-rounded actors are also skilled in singing, dancing, and dialects. Acting is the act or work of an actor.

All actors must continue to grow as performers, therefore, should consider the attention of a personal acting coach. Visit acting coach to see how it would help your career. An acting coach acts as a human mirror for clients by sharing an outside and unbiased perspective on what they are observing about their clients. Generally, a personal acting coach helps an actor grow in the area of performance through acting exercises, cold readings and often, commercial techniques.